Monday, December 6, 2010

microRevolt

Cat Mazza, Image courtesy of http://www.juliachristensen.com/



















Cat Mazza is an artist who created microRevolt, which brings together craftivists from all over the world and "develops projects which combine knitting with machines, and digital social networks to investigate and initiate discussion about sweatshop labour." (From We Make Money Not Art interview) Their biggest project to date is a petition to Nike about their use of sweatshops. The petition exists as a 15 foot wide blanket that displays the Nike Swoosh, made up of 4 inch squares sent by knitters from over 30 countries. The corresponding website has links of each country exhibited, and if you click on any country, white squares will appear on the blanket, showing the location of all of the contributors from that country, and if you scroll over the white square, the name of the contributor will also appear (see below, Iceland is highlighted, with one knitter contributing a square from Reykjavik.) This allows us to see the network of knitters that she obtained through a Network Society, ie Social Media.






















knitPro Chart for 
The Infrastructural City
In order to gain more and more contributions, Mazza put a free knitting chart maker on the microRevolt website, called knitPro, with an option to donate through PayPal or to contribute a square to the Nike petition. With knitPro, you can upload any image and the program will turn it into a chart, which can then be knit or embroidered (this goes back to the idea of 0s and 1s being the foundation of knitting.. everything is based on a grid system). So, Mazza provides a free service that's tucked in the microRevolt website, in hopes of further disseminating her activism.

During a lecture at the Textile Arts Center this November given by Sabrina Gschwandter, an audience member asked if Mazza had given the Nike blanket to the Nike executives, which was originally part of the plan. Gschwandter, a fiber artist and writer, responded by saying that the blanket is still traveling around in different art venues around the country, which is probably proving to have a more significant impact than if Mazza handed the blanket over to Nike. Through the continual travel of the 15 foot blanket, Mazza's spreading her vision to more and more people, even two years after the blanket was completed. If she had just handed it over, it probably would have disappeared and the message would have been forgotten soon after. Instead, each time the blanket reaches a new location, more Revolutionaries join the fight against sweatshop labor. 

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